Along with poor grounding, unwanted vibration may be one of the most ubiquitous problems in hifi. Damaging vibrations, no matter the source, have the ability to alter sound causing distortion, disrupted imagery, and even timing issues to the music you’re trying to enjoy. Not only is vibration a ubiquitous problem in hifi, but it’s pervasive throughout the system– affecting your components, loudspeakers, audio racks, and even cables. Luckily, ridding your system of unwanted vibration can be easy.

Nordost has not only introduced one anti-vibration product, but an entire Sort System made up of three products that are uniquely specialized to combat vibration, depending on the element of the system they are addressing. Unlike other anti-vibration products on the market, which define themselves as either isolation/de-coupling or coupling devices, Nordost’s Sort System takes a different, more comprehensive approach: resonance control. (For a deeper look at the difference between isolation, coupling, and resonance control, check out our blog: Three Ways to Address Vibration Control). The following will help you better understand each of Nordost’s Sort devices and show you how they fit into your system to help you rid unwanted vibration. 

Sort Kone: 

The Sort Kone is designed to address vibration occurring within components. It is built using a unique three-part construction, which creates a mechanical diode. When pressure is applied to the Kone, a one-way path is established through which the internal vibration produced by moving parts in the chassis of electronics can escape. When you place Sort Kones under audio components (a minimum of three Sort Kones per unit is required) music becomes more focused, there is an increase in depth and transparency in system performance, and the dynamic range is broadened. Nordost Sort Kones are available in three levels of performance (aluminium, bronze, and titanium) to fit a wide range of system and budgetary needs.

Sort Füt:

The Sort Füt is a mechanically tuned resonance control device designed to address the vibration generated both within loudspeakers and through audio racks. It is purpose-built to enhance the performance of your hi-fi system and improve upon standard spikes and stabilizers. The Sort Füt’s proprietary four-part construction eliminates unwanted vibrations by providing a direct ground path out, allowing extraneous energy to escape either the loudspeaker or audio rack it is attached to, while simultaneously preventing external vibrations from traveling back through the device. The result: a reduction of intermodulation distortion, a proliferation of musical information, and an increase of tonal and textural details that will allow your system to achieve the dynamic range it is capable of.

Sort Lift: 

The Sort Lift is designed to minimize the points of contact that cables make with the ground and reduce boundary effects, without negatively affecting the resonant properties of the cables themselves. Each Lift is composed of two integral components: the base and the springs. The base inhibits any transference of electrical charge from the floor to the cable and eliminates static build-up on the dielectric itself. The springs use flexible, titanium alloy spring-wire, which makes up both the support wings and tension wire supports. Both elements of this floating spring system are coated in FEP, mirroring the design of Nordost cables and making the supports an extension of the cable jacket, eliminating any electrical interference, while allowing the cables to maintain their natural resonance properties.

To learn more about our Sort System or to arrange a demonstration, contact your local Nordost retailer. 
For more information about vibration control, including how to identify different types of resonances, their sources, and how to manage those harmful vibrations, so that you can enjoy your sound system to its full potential, download our guide, The Importance of Vibration Control, today.

Technical jargon and industry shorthand can be intimidating and confusing when you are just becoming familiar with a hobby—and hifi has PLENTY of it! We thought we would save you a trip to your google-machine, and spell out what some regularly used acronyms mean when talking specifically about your vinyl set-up! 

ASF (Anti-Skating Force)—

This is the equal but opposite force that turntables use to counter the frictional vector force that pulls the tonearm towards the center of the record (also known as “skating”).

VTF (Vertical Tracking Force)—

The amount of “weight”, or downward force, that the cartridge stylus exerts on the grooves of the record. This force can be measured by the stylus force gauge, and adjusted by sliding the tonearm’s counterweight forward or backward to achieve a specific weight range specified by the cartridge manufacturer.

SRA (Stylus Rake Angle)—

the angle at which the stylus is raking the record grooves. The optimal SRA angle is the angle at which the record grooves are cut (in most cases 92 degrees). 

VTA (Vertical Tracking Angle)—

the angle at which the cartridge stylus sits in the record’s grooves when viewed from the side of the tonearm (this in turn, determines the SRA). 

PRaT (Pace, Rhythm, and Time)—

This is often used to qualify how good or realistic audio equipment is at sound reproduction. Does it make you move? Is it toe-tapping? 

For more information about turntable-related terms and turntable set-up in general, check out our Complete Turntable Set-Up Guide!

If you have gone through, or are currently in the midst of, constructing your ideal sound system, you have come across the term “grounding”. Achieving a clean reference ground is postulated as the holy grail when it comes to having the ultimate high-end audio system. However, it is important to understand that when talking about “grounding” you could potentially be referring to three separate things: earth ground, signal ground, and chassis ground. Here, we are going to look at all three ground variations, to clarify the differences between each one, and hopefully help you identify which “ground” you need to address in your home system.

Earth Ground refers to a direct, physical connection to earth, or an electrically neutral body. By connecting a ground wire in your system to “earth”, whether it be directed to an artificial ground or natural ground, you are providing a path for extraneous current. When earth ground is being addressed, you are effectively draining the system of unwanted, “spurious” current that is circulating through the circuit and adding noise to the background. In order to confront problems with earth ground in the system, Nordost offers two solutions: the QLINE and the QKORE (specifically the QKORE1 and the primary side of the QKORE6).

A signal ground is an analog or digital ground that is attached to every signal being transmitted between devices in a system. Since these devices are usually powered separately, it is inevitable that there will be small differences between their potentials, causing small currents to circulate in order to compensate. These currents add to the background noise, obscuring low-level detail in music reproduction. Furthermore, as there are usually multiple signal ground paths in a system, those ground paths can pick up on each other’s interference. Nordost’s QKORE3 and the secondary side of the QKORE6 attract those currents, leaving a clean reference point for the signal ground.

A chassis ground refers to the connection that establishes an electrical link to a metallic enclosure. Describing chassis ground can be confusing because, when speaking about audio equipment, a chassis ground can differ depending on manufacturer. A chassis ground can be connected to the earth ground if it’s meant to prevent electrical shock, or the signal ground when intended for shielding. It can also connect the earth to signal ground, or it can even float. No matter how the chassis ground is connected to the earth and/or signal ground, the previously mentioned products and solutions offered by Nordost will help your system address the chassis ground. Additionally, Nordost’s Tonearm Cable + can help address the chassis ground, depending on how the ground whip is implemented.   

For more information on grounding, download The Importance of Electrical Grounding in Audio Systems today!

Auditioning audio cables is probably an important part of your buying process. You deserve to know what you are buying, understand the differences between the products you are considering, and hear how those differences will impact the performance of your sound system. 

At Nordost, we have a wide variety of products which incrementally improve as you move up our range. By visiting our website and talking with your authorized Nordost dealer, you should have a good understanding of specific technologies incorporated into each of our product ranges. However, when it’s time to sit down and evaluate how each one of those technologies impacts your sound, you may still need more direction. 

In order to help you make better sense of what you’re hearing, we have listed some of the technologies used in our cable design with notes on how they can be identified from a sonic perspective. 

Solid Core Conductors (as Opposed to Stranded)

Look for increased textural aspects in the music, especially in the mid-tones. You will find that the instruments sound more life-like. Another thing to notice is a perceived increase in volume, especially when comparing power cords. 

Adding Conductors / Increasing Gauge Size

Pay special attention to timing. This can sometimes be heard in the drive and dynamic realism of your music. 

Mechanically Tuned Lengths

This brings a darker background to the table and a smoothness to the sound. It strips artifacts and gives the music a sense of “correctness” that wasn’t there before. 

Micro Mono-Filament

Higher signal speed means less time traveling through the cable, and as a result, less loss of information. This translates to an increase in detail and nuance in the music. You may notice this in the emotion that comes across in a performance, particularly in the vocals. Also pay attention to the soundstage, which will start to lose its defined boundaries. 

Dual Mono-Filament

Even faster signal speed means even more information. Listen for decay times in instruments, as well as additional realistic qualities of both instruments and vocals. You will also find the rhythm and pacing of the music to be more precise. 

HOLO:PLUG® Connectors

Pay attention to your system’s soundstage. You should notice a much wider and deeper soundstage, as well as an overall smooth tonal balance. This can also be heard as spatial awareness of the instruments and singers. There may be a 3D element to your music and soundstage. 

TSC Shielding

With 100% silver shielding, TSC provides even more defense against EMI and RFI. There will be a blacker background and noticeable noise reduction that will especially affect the low-end. This often translates into more realism and coherence in the performance. You may notice that small nuances in the music start to come to life.