{"id":6608,"date":"2021-12-14T12:09:18","date_gmt":"2021-12-14T17:09:18","guid":{"rendered":"https:\/\/nordost.com\/blog\/?p=6608"},"modified":"2021-12-14T12:09:20","modified_gmt":"2021-12-14T17:09:20","slug":"nelson-brill-reviews-a-jubilant-concert-by-the-tedeschi-trucks-band-and-concert-recordings-to-share","status":"publish","type":"post","link":"https:\/\/nordost.com\/blog\/nelson-brill-reviews-a-jubilant-concert-by-the-tedeschi-trucks-band-and-concert-recordings-to-share\/","title":{"rendered":"Nelson Brill reviews a jubilant concert by the Tedeschi Trucks Band and concert recordings to share"},"content":{"rendered":"\n

Real music lovers can find the melody in everything. From the park to the concert hall, our friend Nelson Brill is always on the hunt for great sound. In this blog, Nelson joins a fully-vaxxed audience to enjoy a much missed live music concert, with the Tedeshi Trucks Band. He also recommends how to relive this same vibrant experience in the comfort of your own home. \u00a0<\/em><\/p>\n\n\n\n

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A BUCKET OF ROCK N\u2019 ROLL JOY: TEDESCHI TRUCKS BAND IN CONCERT AND NEW LIVE RECORDINGS TO SAVOR<\/h1>\n\n\n\n

By Nelson Brill | DECEMBER 5, 2021<\/p>\n\n\n\n

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On November 30th, the Tedeschi Trucks Band<\/em> (\u201cTTB\u201d) opened a four-night stand at the legendary Orpheum Theatre<\/em> in Boston and from the first note, there was glee and celebration in the return of live music in all its glory.<\/p>\n\n\n\n

The TTB sustained a creative musical statement that teemed with bluster, soul and communal spirit with its adoring (fully vaxxed!) capacity audience. The TTB is composed of Susan Tedeschi on guitar and lead vocals, Derek Trucks on guitar, Gabe Dixon on keyboards and vocals, Brandon Boone on bass, Tyler \u201cFalcon\u201d Greenwell and Isaac Eady on drums, Elizabeth Lea on trombone, Kebbi Williams on saxophone and Ephraim Owens on trumpet \u2013 all backed by the stellar vocal cast of Mike Mattison, Mark Rivers, and Alecia Chakour. There is a special bond between these players, palpable in every song they explore. Its an easy-going democratic companionship where, without fuss, lime-light or artificial gestures, each member of the band gets their chance to shine within the spirited collective.<\/p>\n\n\n\n

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TTB- Orpheum \u2013 photo by Steven Levine<\/figcaption><\/figure>\n\n\n\n

This easy-going spirit and companionship was fully on display at TTB\u2019s Orpheum <\/em>opening night concert, packed with special musical treats. The concert opened with the slow-boogie optimism of the Beatles\u2019 \u201cI\u2019ve Got A Feeling!\u201d with Mattison leading the vocal charge with his steadfast presence, augmenting Tedeschi\u2019s luminous calls with his bluesy husk (with the audience joining in on Tedeschi\u2019s urgent choruses of \u201cOh Yeah!\u201d). From his rear stage position, Mattison pelted his deep vocal swagger (and falsetto leaps) on his pulsating original \u201cLife Is Crazy\u201d and crowned Taj Mahal\u2019s charging \u201cEverybody\u2019s Got To Change Sometime\u201d with powerful vocal ardor and deep bluesy pounce.<\/p>\n\n\n\n

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TTB with Mike Mattison \u2013 Orpheum Theatre, Boston Globe<\/figcaption><\/figure>\n\n\n\n

The gospel soar and audacious pulse of TTB\u2019s \u201cBound For Glory\u201d and their propulsive \u201cMade Up Mind\u201d brought out the splendor of Rivers and Chakour\u2019s vocals. Each took a solo in which they displayed their individual styles by utilizing their fluid vocal ranges and their great feel for gospel, gliding soulfulness \u2013 holding the audience transfixed with their expressive force.<\/p>\n\n\n\n

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Tim Bugbee<\/figcaption><\/figure>\n\n\n\n

Tedeschi\u2019s vocals too were as strong as ever: smoothly gliding to her highest calls (with a bit of husk up top to emphasize her high calls and blues passion). The quality of her voice always nailed the essence of the songs she sung. This included a riveting and quiet version of John Prine\u2019s \u201cAngel From Montgomery\u201d; a radiant version of Neil Young\u2019s \u201cHelpless\u201d; a breezy romp on The Four Tops\u2019 \u201cLov\u2019in You Is Sweeter Than Ever\u201d and a deep bluesy plunge into her chestnut, \u201cJust Won\u2019t Burn\u201d \u2013 a slow blues fireball from Tedeschi\u2019s youth when she would play with her power trio to small gatherings in Boston at lunch time or grace Boston\u2019s intimate clubs with her questing blues.<\/p>\n\n\n\n

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Forbes<\/figcaption><\/figure>\n\n\n\n

Tedeschi has found a life-long creative partner in Trucks, and together, backed by their concussive drum partners and Boone\u2019s ever-creative bass, they have become a legendary force. The sound at the Orpheum<\/em> this evening was fantastic (kudos to the sound team!) with every layer of color from Tedeschi and Trucks\u2019 searing guitar dialog captured punctual and distinct, in nice sonic balance with the rest of the band. The second set opened with barn-burning energy from Trucks on his electric guitar, grabbing hold of TTB\u2019s blistering \u201cAnyhow\u201d with urgent high spills and amplified trills (punctuated with blasts from the TTB shining horn section). Trucks continued his carefree abandon on a spikey-sweet version of Derek and the Dominos\u2019 \u201cWhy Does Love Have To Be So Sad\u201d where he joined Tedeschi and the band in a locomotive romp that melded into a tranquil plateau of lilting colors, resonant guitar string bends and soft chord holds.<\/p>\n\n\n\n

This quiet, slow-evolving play also highlighted Trucks\u2019 special moments on stage with his rhythm section and Dixon\u2019s twinkling keyboards, experimenting on John Coltrane\u2019s \u201cAfro Blue\u201d. On this adventure, Trucks moved from sitar-drenched effects to deliberately loosening his guitar strings and letting them roar in oblique resonant drops and amplified holds. Tedeschi and the full band then joined Trucks for a pressurized version of Bobby Blue Bland\u2019s \u201cThat Did It\u201d, in which Tedeschi took command with her expressive guitar attack, weaving with Trucks a tapestry of hot stinging bent notes and pummeling strums. All of this heat and drama concluded with a TTB romp on the upbeat Coasters\u2019 song, \u201cLet\u2019s Get Stoned\u201d. The band danced and swayed on all cylinders with the crowd roaring their approval \u2013 the epitome of rock n\u2019 roll joy.<\/p>\n\n\n\n

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To relish a vibrant slice of the TTB in live performance, grab a copy of their superb new live recording re-imagining the legendary Derek & The Dominos<\/em>\u2018 Layla<\/em>. The TTB\u2019s Layla Revisited<\/em> (Live At Lockn\u2019<\/em>) [Fantasy Records; www.tedeschitrucksband.com<\/a>] captures a performance of TTB at the LOCKN\u2019 Music Festival<\/em> in Arlington, VA. in August, 2019 with the band joined by inspired guests \u2013 guitarists and vocalists Trey Anastasio and Doyle Bramhall II \u2013 with JJ Johnson joining Greenwell on drums.<\/p>\n\n\n\n

The recording is reference audiophile quality, delivering the natural images of each player in the TTB on a wide and layered deep soundstage, with each player\u2019s image natural, dynamic and tactile in the airy venue.<\/p>\n\n\n\n

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Goldmund Telos 590 Next Gen. II Integrated Amplifier<\/figcaption><\/figure>\n\n\n\n

My reference system, anchored by Ensemble Audio Dirondo CD Player<\/em> [www.ensembleexperience.com<\/a>] j Goldmund Telos 590 Next Gen. II Integrated Amplifier<\/em> [www.goldmund.com<\/a>) Seidenton<\/em> loudspeakers (www.seidenton.ch<\/a>) and cabling by Nordost (www.nordost.com<\/a>) was a glorious conduit, inviting me into this live performance with aplomb. The Dirondo\u2019s<\/em> special trait as a CD player with excellent \u201ccontinuousness\u201d (that rare quality of never a break or sputter in its natural flow of music), partnered with the Goldmund Telos 590<\/em> integrated ampifier, (with its ability to portray music with great dynamic headroom and naturalness), involved me immediately in the whorl and roughhouse of TTB\u2019s spirited Layla<\/em> Revisited<\/em> live performance.<\/p>\n\n\n\n

In the first set of Layla Revisited<\/em>, The TTB are off to the races with blistering versions of \u201cKeep On Growing\u201d (with each guitarist getting the opportunity to improvise their bold and propulsive statements) and \u201cNobody Knows When You\u2019re Down And Out\u201d, a searing blues highlight. \u201cAnyday\u201d is another toe-tapping and rumbling highlight, building from Mattison\u2019s vocal strides and Tedeschi\u2019s buoyant guitar and vocals. The second set takes the energy even higher with a striding \u201cKey To The Highway\u201d to a fiery \u201cLittle Wing\u201d (with layered background singers entwined with tons of bold guitar blasts). The title track gallops forward with pell-mell guitar solos and leaping creativity from all members of the band. Just as on the original, \u201cLayla\u201d is followed by the quiet moment of \u201cThorn Tree In The Garden,\u201d re-imagined here in a studio setting with Tedeschi and Trucks in supple acoustic rapport.<\/p>\n\n\n\n

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Inspired by TTB\u2019s galvanizing Orpheum<\/em> concert and their spectacular Layla Revisited<\/em> recording, I recommend for your listening pleasure one other \u201cbest-of-the-year\u201d live recording mining the rock n\u2019 roll and blues of legendary songwriter Peter Green and the music of Fleetwood Mac<\/em>.<\/p>\n\n\n\n

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Peter Green \u2013 guitar.com<\/figcaption><\/figure>\n\n\n\n

On February 25, 2020, just days before the first COVID cases were discovered in the UK, a concert took place at the legendary Palladium<\/em> in London, organized by Mick Fleetwood and friends in celebration of Green and his music. We now are gifted with Mick Fleetwood & Friends Celebrate The Music of Peter Green<\/em> [BMG; www.BMG.com<\/a>], another stellar live recording from start to finish.<\/p>\n\n\n\n

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Jonny Lang- Photo by Ethan Miller\/Getty Images)<\/figcaption><\/figure>\n\n\n\n

The \u201chouse band\u201d for this concert was tight-knit and glorious, most notably guitarist and singer Jonny Lang and guitarist Rick Vito. Their guitars teem with blues heat and rapid-fire twists in many highlighted moments on this live recording, propelled by the robust drums of Mick Fleetwood and Zac Starkey and the pungent bass of David Bronze. This band\u2019s kinetic versions of \u201cHomework\u201d, \u201cSandy Mary\u201d and \u201cNeed Your Love So Bad\u201d are dazzling power blues with great freewheeling and funky glory.<\/p>\n\n\n\n

The guests that appear with this radiant band at this Mick Fleetwood And Friends<\/em> concert are clearly inspired to be on stage to salute Green: John Mayall with his swaying, pulsating Otis Rush \u201cAll Your Love\u201d; Billy Gibbons torching \u201cDoctor Brown\u201d with his husky vocals and guitar swagger; Steven Tyler stinging \u201cRattlesnake Shake\u201d with his funky vocal power and Pete Townshend (\u201cAre we plugged in lads?\u201d) cavorting on Jeremy Spenser\u2019s \u201cStation Man\u201d with spirited vocal calls and reverberant blasts from his electric guitar- filling the airy hall with swathes of radiant heat.<\/p>\n\n\n\n

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Pete Townshend \u2013 Berkshire Eagle<\/figcaption><\/figure>\n\n\n\n

Act II of this concert brings other fresh and dynamic treats. David Gilmour delivers his deep, soulful guitar meditation on the slow blues of \u201cOh Well, Part 2\u201d and joins Tyler and Gibbons on a raucous rock n\u2019 roll party on \u201cOh Well, Part 1\u201d. Bill Wyman and Jeremy Spenser glitter on a deep Delta version of Elmore James\u2019 \u201cThe Sky Is Crying\u201d with Spenser\u2019s guitar sly and assured in all its tactile heat. Following these delectable treats are propulsive versions of Elmore James\u2019 \u201cI Can\u2019t Hold Out\u201d and Green\u2019s feisty \u201cGreen Manalishi\u201d \u2013 delivered in thunderous fashion with Gibbins\u2019 craggy vocals and Kirk Hammett\u2019s ricochets of electric guitar (utilizing Green\u2019s original guitar for this earthshaking performance). The curtain closes on this spectacular concert with a joyous \u201cShake Your Money Maker\u201dfrom the entire crew that is swinging and irresistibly ebullient \u2013 another crackling rock n\u2019 roll catharsis for our times.<\/p>\n\n\n\n

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You can read more of Nelson\u2019s concert reviews at www.bostonconcertreviews.com<\/a>.<\/p>\n\n\n\n

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Real music lovers can find the melody in everything. From the park to the concert hall, our friend Nelson Brill is always on the hunt for great sound. 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