Nordost Playlist – August 2016

Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.

Here are some of the songs that we will have on rotation this August.

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  1. Southern Girl—Erykah Badu, Rahzel— Southern Girl
  2. The First Time Ever I saw Your Face—Roberta Flack—First Take
  3. Mr Magic (Through The Smoke)—Amy Winehouse—Frank
  4. Baby, I’m Yours—Barbara Lewis—Baby, I’m Yours
  5. Water Fountain—Tune-Yards—Nikki Nack
  6. Nightclub Jitters—The Replacements—Pleased To Meet Me
  7. Touch of Grey—The War On Drugs—Day of the Dead
  8. Cello Sonata in D Minor, L. 135: II. Serenade—Claude Debussy, Wieland Kuijken, Piet Kuijken
  9. Road Runner—Bo Diddley—Roadrunner The Chess Masters: 1959-1960
  10. I Scare Myself – 2009 Remastered Version—Thomas Dolby—The Flat Earth [Collector’s Edition]

 

Vinyl Is Back! Everything You Need To Know About LP Records

Still Spinning, Still Grinning… Vinyl Is Back!  

Everything You Need To Know About LP Records

by Anthony Chiarella

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I’d forgotten just how great LPs can sound. This point was driven home a couple of years ago when I added a new turntable to my reference system. At the time, I had a $65,000 digital front end, and I thought the sound it produced was about as good as High End could get…until I started spinning records. My analog rig—turntable, arm, cartridge and phono preamp—cost less than half as much, but outperformed my digital stack in almost every respect. Instrumental timbres were richer, with finer harmonic detail, imaging was more three dimensional, and the spaces between the images more palpable, with an airiness and cohesion that was just, well, more lifelike than even the best digital systems. I found this especially true with older, analog masters, but surprisingly, many modern digital transfers actually sounded better on vinyl! (In fairness, I should point out that there are many digital masters which outperform their analog counterparts.) Of course, sound quality alone doesn’t explain the renaissance of the LP record. The tactile pleasures of holding an album cover—an experience that was diminished with the “compact” disc and eliminated completely with streaming—provide a powerful sensory experience. The ability to see and savor album artwork, not to mention lyrics and other “extras” included with many LPs, is sorely missed with CDs and modern digital formats.

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The “chore” of removing an LP from its jacket, placing it on the platter, clamping it, cleaning it and carefully lowering the needle into the groove was supposedly one of the reasons why CDs became more popular than LPs; however, for many LP lovers, the ritual of preparing the record for playback actually enhances the experience. And then, there is the hardware. Does any other component in the stereo system equal the beauty or visual artistry of the turntable? Since the time of Edison, record players have been sources of pride and collectability, as well as the focal point of most HiFi systems. (There are several turntables in the Museum of Modern Art’s Permanent Design Collection.) Once you’ve decided to “take the plunge” and join the Analog Renaissance, there are a few vinyl-specific things you have to know. Whether you’re looking to spend a few hundred dollars or a hundred thousand, here’s everything you need to get started… Today’s top ‘tables are true works of art, designed for aesthetic appeal as well as performance. Brinkmann, Kronos, TechDas and many others offer superbly crafted analogue systems, engineered to last for several lifetimes. At lower price points, Rega, Project, EAT and VPI offer entry-level ‘tables whose sound quality approaches state-of-the-art, though without the visual beauty or obsessive craftsmanship, which defines cost-no-object products. Ortofon and Sumiko dominate the market for reasonably-priced phono cartridges, while Kiseki, Koetsu and Lyra continue to develop exquisite cartridges for music lovers who demand “the best” regardless of cost.

Being a high-performance software format, there are two more variables you’ll need to address if you want to extract the highest possible performance from your analog rig. First of all, pay attention to where you mount your turntable and the structure upon which you place it. Record players are vulnerable to “acoustic feedback” (which sounds like a loud, uncontrollable hum) if placed too close to speakers, especially those with prodigious bass; additionally, a turntable placed upon a wobbly floor or rickety stand will be prone to “groove skipping.” Of course, a rigid, high-mass—and expensive!—equipment rack is ideal, but budget and décor often render such purchases impractical. Here are a couple of hints… First, make sure you place the stand upon which your turntable rests near a load-bearing wall (usually one of the exterior walls of the house), as these are the most solid points in the room and the least prone to footfalls and other mechanical interference. A wall-mount shelf—available online for under $150—offers great isolation at a very affordable price. Next, if you’re using a piece of furniture, make sure it’s top surface is level and that it doesn’t wobble. (Small pieces of plastic can be used to “shim” the legs of your furniture to keep it stable and level.) Finally, in order to minimize acoustic feedback, try to position your equipment rack as far from your speakers as possible. We’re almost done!

You’ll also need a few accessories to make your ‘table sing and maintain those precious slabs of vinyl in pristine condition. If your turntable has a detachable phono cable, you may want to consider and upgrade. The signals that are sent through a phono cable are the most delicate in your hifi system, and you would be surprised at the nuances that a high quality cable can bring to sound fidelity. Companies such as Nordost offer a wide range of tonearm cables that run the gamut cost-wise. Another thing to consider is record cleaning machines. Record cleaning machines haven’t changed since vinyl’s “golden age” of the 1960s through ‘80s, when most libraries owned “wet-system” machines that would wash and vacuum their vast collections. The best of these are made by Okki Nokki and VPI, range in price from approximately $500-$1,000, and are recommended for music lovers with large record collections. (Even for small collections, the improvement in sound quality is amazing!) Need to spend less? Spin-Clean makes a dry-system vacuum machine which starts under $80, while AudioQuest and MoFi offer manual brushes starting at under $15! Assuming you’re setting up your own analog rig, a protractor and stylus gauge are essential…and cheap!  Add some stylus cleaning fluid and a package of record sleeves (to replace the old sleeves of used records) and you’re ready to discover the pleasures of LP Playback. Enjoy!

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Dealer Spotlight: LYRIC HI FI

By Steve Greene

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Whether you are a visitor or a resident of metro New York City, any trip uptown or north of the city in White Plains would be incomplete without dropping by Lyric Hi Fi to see and hear the latest high-end audio gear in some of America’s best sound rooms. Lyric was founded in 1959 by the venerable Mike Kay, an icon in the audio industry for over 40 years. When it came time for Mr. Kay to retire, the New York audio community was fortunate indeed to see him sell his business to longtime and beloved key employees Lenny Bellezza and Dan Mondoro. In fact, both gentlemen have enjoyed working with Lyric’s fine clientele for over 30 years, so the transition to new ownership was incredibly smooth! Lenny can be found at the Lexington Avenue store in the city, and Dan at the White Plains, NY store. Lenny and Dan exude the very definition of professionalism and class, making sure every customer is treated like a family member, and ensuring each customer’s experience at Lyric turns them into a lifelong client. Both stores are staffed with experienced installers and very knowledgeable sales people, including Mike Deutsch, Bob Herman and Scott Trusty.

While Lyric was a leader in early remote controlled custom audio installations, they became the leader in high-end audio in both metro New York City and the US as that industry began its formation and growth, particularly in the late 1960’s and early 1970’s. Lyric Hi Fi became an oasis for manufacturers to showcase their latest high end products. Music lovers, and even magazine editors and writers, flocked in to see and hear these cutting-edge hi-fi components perform in special, custom-built sound rooms— and the same remains true today! Lyric’s sound rooms are very unique for an audio store, allowing you to hear everything the selected equipment being demoed is capable of. The floors are decoupled from the walls, which are not parallel to each other, eliminating standing waves and hiding any interference from New York’s famous underground subway. The construction of all the special materials used to build these awesome sound rooms was actually done in the Lexington Avenue store’s basement level cabinet shop! In fact, some manufacturers even used these facilities to build, among other things, speaker cabinets. Industry luminaries like Rudy Bozak, Saul Marantz, Dick Sequirra, Bob Carver, Harry Pearson and so on were known to frequent Lyric Hi Fi! This continues today with the industry’s top designers and manufacturers making frequent visits.

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Today, customers still reap the benefits of Lyric’s vast customer service experience and superior demo facilities perfected over the years. The product mix in both locations run the gamut from affordable but great sounding components, up to the very finest audio components that most can only aspire to buy. Brands like Wilson Audio, B&W, McIntosh, VPI, Rega, dCS, Audio Research, Marantz, GoldenEar, PrimaLuna, Dynavector, Audeze, Sonos, Magnepan, NAD, and, of course, Nordost, just to mention a few, are on display and available for demo. Both locations also offer a wide range of accessories to enhance your system, including a huge selection of Nordost cables, Sort Kones, and QRT products. It would be difficult to visit either store and not find something in your budget that you just can’t leave the store without! Parking is quite easy with spaces often available directly in front of the Lexington Ave location, or just around the corner on 83rd St, which is where I usually park during my visits. A public parking lot is directly next door to the White Plains store as well as directly in front of it. So, make sure you visit either store when uptown or north of the city; you’ll be very glad you did!

NORDOST AT THE HONG KONG HIGH-END AUDIO VISUAL SHOW

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The Hong Kong High-End Audio Visual Show is being held this year at the Hong Kong Convention and Exhibition Center August 5-7th and Nordost is excited to be taking part! Come and see us in the Radar room, S421, where Nordost representatives will be there to perform demonstrations and cable comparisons as well as answer product questions. The Hong Kong High-End Audio Visual Show is one of the most important events in the audio and visual industry in Hong Kong and South East Asia, and we are happy to be involved once again!

 

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Nordost Playlist – July 2016

Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.

Here are some of the songs that we will have on rotation this July.

 playlist_july_16

  1. Smoke—Luke Levenson—Smoke
  2. Le Marteau sans Maître : Commentaire III de « Bourreaux de solitude »— Pierre Boulez, Hilary Summers, Ensemble intercontemporain— Le Marteau sans Maître
  3. I’m the Man to Be—EL VY—Return To The Moon
  4. Way Down in the Hole—The Blind Boys of Alabama—…and all the pieces matter, Five Years of Music from The Wire
  5. Gold—Chet Faker—Built on Glass
  6. James Dean—JR JR—JR JR
  7. Mean To Me—Sarah Vaughan—Sarah Vaughan In Hi-Fi
  8. Pale Blue Eyes—The Velvet Underground—The Velvet Underground
  9. The Sinister Minister—Béla Fleck and the Flecktones—Greatest Hits of The 20th Century
  10. Samarkand—Lucia Micarelli—Music From A Father Room

ToneAudio Reviews Nordost’s Full Range of Tonearm Cables

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At Nordost we are proud of the fact that as you go up our product line, the improvements and effects that our cables bring to your sound system are easily demonstrable. At trade shows and industry events, Nordost representatives and product specialists do linear cable swaps to highlight these transitions. However, most people don’t have the opportunity to attend these events, so they rely on reviews to make an informed decision. While reviews are a great resource to better understand how a cable can transform a system, you rarely come across reviews that describe the changes that result from choosing an entry-level, to a mid-level, to a reference cable within the same brand. That is why we were so excited when Jeff Dorgay, from ToneAudio, came to us with his idea to compare four of our tonearm cables (from our Blue Heaven, Heimdall 2, Frey 2, and Valhalla 2 ranges) for his publication. The result was a very honest look at Nordost cables that we think end users will really appreciate.

“As much as we wanted to squeal to high heaven that a nearly $5,000 tonearm cable was bullshit, it isn’t. If you have the system to show it off, you will not be disappointed in the least.”

“Like all the other Nordost cables we’ve had the pleasure to audition, they offer a linear increase in performance as you go up the range”

“We’ve walked away from hundreds of hours of listening to not only be impressed, but to suggest them heartily.”

  — ToneAudio

To read this article in its entirety, go to the review section on the Nordost website or click the following link:

A Clear Advantage—Going up the range with Nordost


HIFI: THE NEXT GENERATION – or, why our kids will love High End Audio as much as we do!

HiFi The Next Generation

Or, Why Our Kids Will Love High End Audio As Much As We Do!

by Anthony Chiarella

After 40 years in audio, I’ve got a pretty awesome stereo system. Of course, it didn’t start out that way…

In 1975, when I bought my first rig, I spent every dime I had on a Kenwood Integrated amp, a Philips Turntable and a pair of KLH speakers. It was a popular “Entry-Level” system and cost a fortune! Back then, we didn’t know electrolytic capacitors, tone controls and most of the other technological particulars of this system were sonically degrading, or that it would quickly become obsolescent –its resale value sinking like a stone.

Back then, all of my friends wanted a slammin’ stereo. Aside from a car, it was the “Dream Purchase” for virtually every High School student in America. Nowadays, with computers and a host of tech toys competing for young consumers’ attention (and cash) stereos haven’t been the “Objects of Desire” that they used to be. That’s all about to change. Today’s entry-level gear is SO good that it is attracting young music lovers in numbers not seen in decades!

Millennials and Hipsters are discovering the pleasures of High End Audio, drawn largely by the resurgence of vinyl records. On a recent trip to my local Barnes and Noble, I was amazed and gratified to see that almost 20% of the store’s floor space was occupied by record bins, with dozens of hip young gunslingers flipping through stacks of freshly pressed LPs. Just last week, legendary recording engineer, Bob Ludwig, told me that every album he masters is now released on vinyl as well as digital. The “Analog Boom” has caused turntable sales to skyrocket, and the quality of entry-level turntables has kept pace. Pro-Ject has just built the largest turntable factory in Europe, capable of cranking out over a quarter million ‘tables a year! Rega has recently introduced new models at both lower and higher prices than ever before, hoping to lure first-time buyers with bargain ‘tables and then encourage them to upgrade to flagship products.

Sales of tube electronics—especially at lower price-points—are also flourishing. PrimaLuna, whose all-tube integrated amplifiers start at $1,799, has experienced sales growth of over 25% per year for the last several years. Rogue Audio, another bargain-priced tube brand headquartered in Pennsylvania, has experienced similarly spectacular increases. On the speaker side, KEF’s LS50 redefined what’s possible for under $1,500, while Elac now offers more than a half dozen high performance models which retail for under a grand. And of course, Nordost’s Leif Series has put ultra-high-performance cabling systems within the reach of every music lover.

Thanks to the “Hip Factor” of vinyl records and vacuum tubes, a new generation of consumers (with high disposable income!) is discovering the pleasures of Audiophilia. Better still, entry level equipment has gotten so good—and for so little money—that it’s now possible to assemble a world-class HiFi system at prices that would have been impossible just a few years ago. A NAD 316BEE Integrated Amplifier ($379), Project Debut Carbon Turntable ($399) and Elac Debut B4 speakers ($179/pr) deliver super sound for less than one thousand dollars, giving budget-constrained consumers a heaping helping of high-end panache and long-term investment potential for about the same price as a weekend at the Jersey Shore.

Want a super-cool system? Match a PrimaLuna Prologue Classic Integrated Tube Amplifier ($1,799), Rega RP3 Turntable ($899) and Dynaudio Emit M30 Towers ($1,199). You’ll get dynamic, full-range sound—and the warm glow of vacuum tubes—for under four grand. Throw in Nordost Blue Heaven Power Cords, Interconnects and Speaker Cables and the tab is still under five thousand bucks. An ARCAM irDAC II (arguably the world’s best budget D/A Converter) adds $800 to the package, along with superb digital sound quality! Fully loaded (including appropriate cabling and accessories) we’re still around $6,000 for a system whose performance would have cost over ten thousand dollars just a few short years ago.

My point here isn’t to design systems for the readers, nor is it to pitch products that I admire. I’m simply trying to illustrate that High End Audio, whose long-term viability was once in question, is alive and well and growing at a healthy and satisfying pace! More importantly, it isn’t just veteran audiophiles upgrading existing systems; rather, it is Millenials, Hipsters and other first-time buyers looking to make a lasting investment in quality HiFi gear. Of course, these new customers will upgrade over time, as we all do, which should guarantee a long and prosperous future for the hobby we love. For all of you who are worried about the future of HiFi, rest easy. High End Audio is getting better and better!

Nordost at T.H.E. Show Newport 2016 Recap

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This year at T.H.E. Show Newport, Nordost enjoyed tremendous success, both in our own room and in several other systems throughout the event.  Thank you to Maier Shadi for putting together such a first rate system to highlight our Reference Valhalla 2 cables.  The rest of our system was made up of Wilson Audio Sasha 2 loudspeakers, two Dan D’Agostino Master Systems Progression mono amplifiers, Dan D’Agostino Momentum preamp and phono stage; dCS Rossini CD transport/DAC and dCS Rossini Clock; Brinkmann Balance turntable with SAT pickup arm, Lyra Atlas cartridge, and Minus K Vibration isolation base for the Brinkmann, and Stromtank Independent Power System.


For more information about the other fantastic systems featuring Nordost cables, see the following show reports:

http://www.stereophile.com/content/show-newport-can-it-really-be-good#e8rAGLccFqIR50jD.97

http://www.stereophile.com/content/show-newports-amazing-2nd-floor#ySXhlkElBLFJSOWZ.97

http://www.stereophile.com/content/day-two-show-can-glories-continue#GwBT7UXwmHDbAQJu.97

http://www.theaudiobeat.com/newport2016/newport2016_nola.htm

http://www.theabsolutesound.com/articles/the-show-at-newport-beach-loudspeakers-20k-and-up/

http://www.enjoythemusic.com/THE_Show_Newport_2016/dCS_Dan_DAgostino_Wilson_Audio_Stromtank_Nordost/


If you weren’t able to make it to the show, please enjoy some photos below!


Nordost’s Michael Taylor and Maier Shadi of the Audio Salon were in the house to give some great demonstrations!

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We used the amazing Wilson Sasha 2s in our systemIMG_6701

As always, we had our system equipped with QRTIMG_6704

And Sort Füt too!IMG_6707 IMG_6709

The Nordost room wasn’t the only place to hear Nordost cables in action:

Nola’s room was outfitted with Odin 2 and had their speakers internally wired with Nordost too!

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Source AV had a Questyle and Focale system wired with Nordost Red Dawn cables, as well as several headphone rigs using our QRT, Sort Kones, and some Nordost cabling.

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Upscale Audio’s primary system was wired with our flaship line, Odin 2.  They also had a several PrimaLuna amps wired with Nordost cables, also featuring our Heimdall 2 Headphone Cable.

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Sonic Flare’s room was put together by Danny Kaey, with Wilson speakers and Einstein components, and wired with Valhalla 2IMG_6732 IMG_6739 IMG_6741

 

Finally, Woo Audio was using Heimdall 2 and Blue Heaven cables to feature their headphone amps:

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Marc Mickelson reviews the Heimdall 2 4K UHD Cable

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HD technology has gone through several revision changes, modifying specifications and undergoing upgrades both in electronics and the transmission line itself. In response to these changes, Nordost came out with two Ultra High Definition cables last year, both in our Heimdall 2 and Valhalla 2 ranges. Our American-made UHD cables more than quadruple the bandwidth of typical HD cables, allowing viewers to appreciate 4K feature sets, including increased frame rates and Deep Color.

Marc Mickelson, of The Audio Beat, was able to speak to the differences our Heimdall 2 UHD Cables make in his recent article, Hi-Fi Video: Nordost’s Heimdall 2 4K UHD Cable:

“We’re all experts on what does and does not look real, so when you see reproduction that’s closer to real, you know it, even without having to wonder. The Heimdall 2 provided that sense of knowing.”

You can now read Marc’s full article in the review section of the Nordost website.

Dealer Spotlight: The Sound Environment

The Sound Environment Omaha, NE

As one of America’s premiere Audio & Video retailers, Charlie Santmire and crew have been serving music lovers for over 46 years, right in the heart of the U.S.A.  Their state-of-the-art showrooms, as well as the professionalism and enthusiasm the entire staff that work at The Sound Environment display, are second to none.

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Nordost is proud to be one of the exceptional manufacturers that The Sound Environment has chosen to work with, serving their customers with the best products that hifi has to offer. Nordost’s flagship Odin 2 cables and Reference Valhalla 2 Cables are on display and ready for auditioning, alongside other world-class brands such D’Agostino, Wilson, VTL, dCS, Rockport, Focal, Naim, HRS, and many others.

The individualized care and dedication that The Sound Environment shows is not lost on their faithful customers, as shown here in this quote given by one of their recent clients:

“[The staff of The Sound Environment] emphasize value at all price points, whether that be a mega-bucks, world-class system or simply a small, desktop system you could use at your computer. Regardless of your budget, TSE will provide you with the highest quality sound and video for your money. Period. Beyond that, they have an immensely helpful and patient staff of experts that are as passionate about what they do as anyone in any field.  I would absolutely, without hesitation or equivocation, recommend TSE to anyone who values high quality sound and video.”

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So, the next time you find yourself in Omaha on your way to a meeting with Warren Buffet, stop by the friendly, professional folks at The Sound Environment.  It’s an experience you won’t soon forget!

The Sound Environment

11021 Elm Street

Omaha, NE 68144

(402) 391-3842

www.soundenvironment.com