Nordost Playlist – June 2019

Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.

Here are some of the songs that we will have on rotation this June.


You can now listen to our monthly playlist here:  TIDAL  |  SPOTIFY


  1. Johnny and Mary—Todd Terje, Bryan Ferry—It’s Album Time
  2. Thinking—Marian Hill—ACT ONE
  3. Here You Come Again—Dolly Parton—Here You Come Again
  4. Hammer—tUnE-YaRdS—I can feel you creep into my private life
  5. For All We Know—Roberta Flack, Donny Hathaway—Roberta Flack & Donny Hathaway
  6. One Evening—Feist—Let It Die
  7. Someday We’ll Linger in the Sun—Gaelynn Lea—Someday We’ll Linger in the Sun
  8. Mechanical Heart—Beth Hart—Better Than Home
  9. Glacier—James Vincent McMorrow—Post Tropical
  10. Spontaneous—Flying Lotus—Flamagra

 

Nordost Playlist – May 2019


Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.


You can now listen to our monthly playlist here:  TIDAL  |  SPOTIFY


Here are some of the songs that we will have on rotation this May.


  1. Cellophane—FKA twigs—Cellophane
  2. I Wish I Knew How It Would Feel to Be Free—Wynton Marsalis Septet, Susan Tedeschi, Derek Truc, I Wish I Knew How It Was To Be Free
  3. Fancy Man—Devendra Banhart—Ape in Pink Marble
  4. Miss Simone—Sara Bareilles—Amidst the Chaos
  5. Nothing Sacred/All Things Wild—Kevin Morby—Oh My God
  6. Lights—SOHN—Tremors
  7. Walden Pond—Atta Boy—Out of Sorts
  8. Northwest Passage—Stan Rogers—Northwest Passage
  9. Top of the World—Kimbra—Primal Heart
  10. Oh My Love—Riz Ortolani, Katyna Ranieri—Oh My Love

 

Nordost Playlist – April 2019


Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.

Here are some of the songs that we will have on rotation this April.


You can now listen to our monthly playlist here:  TIDAL  |  SPOTIFY


  1. Keep Coming Back to You—Melissa McMillan—Melissa McMillan-EP
  2. Patience—Tame Impala—Patience
  3. Danza del altiplano—Leo Brouwer, Luciano Tortorelli—Latin Latitudes
  4. Part Of Me—Noname, Phoelix, Benjamin Earl Turner—Room 25
  5. Gwan—Rostam—Half-Light
  6. Sunday—HNNY—Sunday
  7. Lè ma monte chwal mwen—Melissa Laveaux—Radya siwèl
  8. Mist of a Dream—Birdlegs & Pauline—Birdlegs
  9. Nobody—Mac DeMarco—Nobody
  10. Boyish—Japanese Breakfast—Soft Sounds from Another Planet

 

Nordost Playlist – March 2019


Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.

Here are some of the songs that we will have on rotation this March.


You can now listen to our monthly playlist here:  TIDAL  |  SPOTIFY


  1. Stay Flo—Solange—When I Get Home
  2. Lost in the Sauce—King Garbage—Make It Sweat
  3. Glass, Concrete & Stone—David Byrne—Grown Back words
  4. Still on My Mind—Dido—Still on My Mind
  5. Unforgettable—Johnny Hartman—Hartman For Lovers
  6. Ma Mama—Toto Bona Lokua—Bondeko
  7. Come On and Move Me—Monarchs—Those Words, Those Frames
  8. I Found A Reason – 2015 Remastered—The Velvet Underground—Loaded (Remastered)
  9. Pink Moon—Nick Drake—Pink Moon
  10. Like A Fool — Superchunk — Foolish

 

Introducing the System Solution: Set-Up & Tuning Discs

After years of great success with our original System Set-Up & Tuning Disc, Nordost is excited to introduce a newly upgraded disc-set that both improves and expands upon our initial product, offering more content and features, to get your system sounding its best and to keep it that way. The Nordost System Solution is an invaluable tool for the installation, maintenance, and fine-tuning of any hifi audio system. Arranging a new system is a painstaking and exacting task for even the most seasoned audiophiles. This two-disc set, provides you with a unique mix of diagnostic tracks, calibration tools, and system conditioning aids that will help unlock the full potential of your sound system.

The System Solution Set-Up & Tuning Discs include tracks that range from the simple, such as channel checks and pink and white noise, to the more complex and unusual LEDR tracks, timed frequency sweeps, and repeat drum beats. Our sound engineers have incorporated specially designed tracks to facilitate full-range loudspeaker positioning and the integration of subwoofers, and have even included a number of useful “system service” functions.

These functions include degauss and burn-in signal tracks, both of which are essential precursors to fine-tuning your existing set-up or new components. Each of these helpful tracks is fully explained and expounded upon in a detailed instruction booklet, included with every disc set.

Nordost is proud to say that over the years our products have become integral components in preeminent recording studios around the world. This has given us the opportunity to incorporate musical selections recorded using Nordost cables as an exciting new feature on our set-up discs. These carefully curated tracks highlight specific aspects of system performance and will help you to further explore the subtleties of your newly-tuned system. This also means that Nordost users will have the ability to experience performances wired with Nordost from beginning to end!

Includes:

  • Essential channel and phase checks
  • Multiple pink and white noise signals for speaker/room diagnostics
  • Sophisticated LEDR tests to optimize speaker placement
  • System maintenance tracks (Degauss and Burn-In)
  • Low-frequency tones specially designed and configured to map room modes and aid speaker placement or subwoofer positioning and integration.
  • Specially selected music tracks with detailed listening notes to further refine system performance

 

Nordost Playlist – February 2019


Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.

Here are some of the songs that we will have on rotation this February.


You can now listen to our monthly playlist here:  TIDAL  |  SPOTIFY


  1. bury a friend—Billie Eilish—bury a friend
  2. Moretown Hop—Noam Pikelny—Universal Favorite
  3. BAGDAD – Cap.7:Liturgia—ROSALÍA—El Mal Querer
  4. Honey—Robyn—Honey
  5. Where’s The Catch? (feat. André 3000)—James Blake, André 3000—Assume Form
  6. Make You Feel My Love—Bob Dylan—Time Out Of Mind
  7. Woman—Cat Power, Lana Del Ray—Wanderer
  8. Beautiful Strangers—Kevin Morby—Beautiful Stranger b/w No Place to Fall
  9. Suzanne—Bermuda Triangle—Suzanne
  10. Pristine—Snail Mail—Lush

 

Nelson Brill Reviews Emerging Artists In The Boston Area

Real music lovers can find the melody in everything. From the park to the concert hall, our friend Nelson Brill is always on the hunt for great sound. In this blog, Brill takes a look at some young, emerging artists in the Boston area, including Noah Preminger. Preminger is well acquainted with Nordost, as he participated in an A/B test of our Ax Angel Pro Audio cables at EastSide Sound recording studios in NYC. You can watch the A/B test here: Nordost w/ Newvelle Records at EastSide Sound studio.  


YOUNG DYNAMIC JAZZ VOYAGERS SOAR IN CONCERT AND ON NEW AUDIOPHILE RECORDINGS

By Nelson Brill      DECEMBER 8, 2018  

Young jazz musicians are like fledging rock climbers: they hammer in their toe-holds into the granite face of music’s rich heritage and then swing out into free-wheeling space, letting the winds of creative musicianship take them where it will. Several gifted jazz voyagers took to stages in the Boston area recently and brought along their audiences to soar with them in flights of fancy, funk and daring.

On September 29th, artists appearing at the annual Berklee College of Music (“Berklee”) Beantown Jazz Festival (“Beantown Festival”; www.berklee.edu) delivered colorful and vital music before a rollicking multi-racial crowd thronging the streets of Boston’s South End. This show of diversity at the Beantown Festival, in both music and community spirit, brings out the best in Boston.

WBUR


One band that stood out in its fresh funk and energy was Aggregate Prime, a quintet anchored by the magnetic drummer (and Berklee faculty member) Ralph Peterson. Peterson was a swaggering presence at his drum kit along with his grooving partners: guitarist Mark Whitfield; pianist Davis Whitfield ( Mark’s son); sax and flutist Gary Thomas and bassist Curtis Lundy.

Franklin Kiermyer


The young Whitfield was particularly inspired on his keyboard. He dashed from flowing runs to clusters of blues chords with an effortless swing that had the crowd leaning in to hear every dynamic pounce. At one point, Davis dueled with his father in a blistering funky romp that had the elder Whitfield’s guitar (in all its shimmering colors and staccato high picks) curling beautifully around his son’s keyboard hits and the smart snap of Peterson’s snare and hi-hat. Keep an ear out for more from young dynamo Davis Whitfield at his inquisitive, spirited keyboard.

WNPR


Another feisty young juggernaut of creative power is the dynamic duo of Boston-based saxophonist Noah Preminger and trumpeter Jason Palmer (both graduates of The New England Conservatory; http://www.necmusic.edu). These two young lions lit up the bandstand at the Beantown Festival and then, on October 18th, performed a captivating show in the confines of Scullers Jazz Club in Cambridge, MA. (“Scullers”; www.scullersjazz.com).

Republic of Jazz


The young Preminger and Palmer share a special musical synergy that is telepathic – full of curiosity and exploration. Individually, each possesses a fearless reach in their original compositions and in their solo artistry. Their music is challenging, angular and kinetic. On their ballads, entwining their trumpet and sax colors, they can sound deeply meditative and earthy with a directness of soul (saturated with breathy low sax bellows or delicately soft trumpet slurring).

All of this creative play was captured at Preminger’s concert at Scullers which featured Palmer on trumpet, Kim Cass on bass and Dan Weiss on drums. Cass has been a longtime musical partner with Preminger (both in concert and on his recordings) and he always brings a creative bass foundation with funky string slaps, rich harmonic holds and his pungent swing. As for Weiss, I have highlighted him before in these pages, most recently in his performance with intrepid saxophonist Rudresh Mahanthappa and guitarist Rez Abbasi in their beautiful Indo-Pak Coalition concert at Boston’s Institute of Contemporary Art and on their soulful album, Agrima [www.RudreshM.com].  I can think of no young drummer more zestful of rhythmic spirit than Weiss on his lithe drums.


danweiss.net


At their Scullers show, nothing was beyond the reach of these young explorers: from the blues to bebop to the riches of Baroque music. Preminger focused on his latest recording, Genuinity [Criss Cross Jazz], a spiky sweet and exuberant collection, reflecting Preminger’s searching creativity and his instrument’s boisterous (yet keenly meditative and expressive) range.

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The young lad can play. On his version of Lightning Hopkins’ “Trouble In Mind,” Preminger’s tenor sax shrieked up high to start his solo, then built on slow rolls and raspy tones down low (with several belches) to capture the full arching motion of this slow blues romp. On Preminger’s “Halfway To Hartford,” (the frenetic opening salvo on Genuinity), Preminger first checked his instrument’s neck-string (to make sure it was in place for his furious ride) and then plunged into a rollicking, wacky colorful duel with Weiss, flinging huge carouses of splintered runs, blaring trills, breathy spills and fury in the direction of Weiss’ light/dark pulses on his nimble snare and wood rim hits.

“Hartford” was also a platform for trumpeter Palmer to soar where he formed metallic short bursts and colors up and down his fluid register – bursting, slurring and staccato bright – chasing fragments of melody in his dreaming. There is always something bright, inventive and expressive contained in Palmer’s solos; sparks that are never out of the firmament of the melodic themes he explores.

jazz speaks.org


For instance, on Preminger’s soulful piece inspired by the Baroque composer, George Frideric Handel, Palmer climbed his nimble register to deliver a raw blast of high blurts, (rapid fire against Preminger’s tender rolls and slow descent), throwing in a bit of creative molten heat to this otherwise tender and glowing ballad. From the meditative glow of Handel, the band effortlessly shifted gears to careen to the grooves of Preminger’s fast little ditty, “Happy Happy!” with Palmer scorching his staccato metallic phrases up high and Weiss tying everything together with his nimble snare and cymbals; his crackling wood rim hits and a flash of swirling brushes (light as a spider alighting on a web).



To fully explore these young voyagers’ sounds, take a listen to Preminger’s Genuinity.  It captures the creative range of Preminger’s original compositions and his colleagues’ majestic play in a recording that delivers all the up-close energy and tactile heat of this forward thinking band. The recording is excellent with only a lack of depth and at times, a bit of too-wide panning of Weiss’ drum kit (with one cymbal far left from the rest of his drum kit) that can, at moments, distract from all of the great creative action.

More naturally recorded is Preminger’s 2016 CD, Meditations On Freedom, [Dry Bridge Records; http://www.noahpreminger.com ] where Preminger, Palmer, Cass and their burbling pal on drums, Ian Froman, explore Preminger’s original tunes (and a few choice rock and soul nuggets) that speak to Preminger of our political times and inspire calls for social change. This particular recording is more intimate in that it was recorded in the beautiful space of Futura Productions in Roslindale, MA. (www.futuraproductions.com) and presents all players naturally without the distraction of any artificial panning of instruments. Preminger’s arrangements (such as on the bluesy swing of George Harrison’s “Give Me Love, Give Me Peace On Earth” or the stoic majesty of Sam Cooke’s “A Change Is Gonna Come”) are astonishing in their compositional skill and their bracing expression. The entwining of Preminger and Palmer on these originals is beautiful to hear as sax and trumpet meld in slow meditative flow (as on “Mother Earth” or “Broken Treaties”) or in nimble swing (with Cass and Froman adding their dapper swing) on Preminger’s elegantly strident, “We Have A Dream”.

Berkshire Fine Arts


And speaking of elegance and swing, (with firepower to spare), there is nothing more sonically fun and inventive than hearing sparkling new compositions emerging from the mind of young Boston-based composer (and Berklee faculty member), Ayn Inserto, writing for her talented Jazz Orchestra. The Ayn Inserto Jazz Orchestra squeezed into the intimate confines of the Lilypad in Cambridge, MA. (http://www.lilypadinman.com) on November 12th and took the place by storm. The group heated up the capacity audience with their blasts of woodwind and brass colors, all taken from their new album, Down The Rabbit Hole ( “Rabbit Hole”)  [Summit Records]. Rabbit Hole was recorded at a Berklee College of Music studio and delivers all of this vivacious band in crisp open sound, with good width and depth to its soundstage and excellent image dimensionality (where, with a quality component audio system, you can visualize each player on the layered stage with nice pockets of air surrounding each instrument’s attack). Of particular highlight is drummer Austin McMahon with his granite time foundation and effortless burble. On this new recording, McMahon propels the orchestra from deep in his pocket position, with nice depth and natural dimension to his light sway on his drum kit.

Jazz After Hours


Inserto’s compositions are like whirligigs: one moment they point in a pensive direction with simmering woodwind and brass colors supported by big chunks of deep bass and piano pulses. When the winds of change come, her compositions fire up with bebop glee, spinning and soaring with brass, woodwinds and piano colors galloping around unpredictable tempos or whiplash melodic turns. At such moments, members of her Jazz Orchestra always glance at each other with knowing smiles all around, clearly honored to be a part of Inserto’s challenging and joyful creations.

Inserto led her Orchestra at the Lilypad in tunes from Rabbit Hole in their album’s sequence, beginning with Inserto’s “Three And Me.” This tune combined all elements of Inserto’s fresh and colorful music: tight, curling and punchy grooves that left space for improvisations to soar. The piece combined contrasting colors of Inserto’s fancy: a glittering bright solo from trumpeter Daniel Rosenthal; a gutsy, over the top brawl (of fluid register chaos) from tenor saxophonist Mark Zaleski and a warm last lap from John Fedchock’s soft trombone.

John Fedchock


Fedchock also lent his glowing trombone to turn the soft churn of “Mister and Dudley”, a curvaceously swinging number that also contained Inserto’s love for a swelling undertow of deep brass colors. The title track whizzed by on a hurtling groove pumping on Sean Farias’ bass; Kathy Olson’s baritone sax and Jennifer Wharton’s bass trombone. This dazzling gem ended with the band holding a unified high trill, in bone-rattling fashion. Also tumultuous was the duet between soprano saxophonist Alan Chase and alto saxophonist Rick Stone as they took “Part 2” of Inserto’s “Ze Teach and Me” to its ultimate knotty height by sending their frenetic conversation of trills, squeals and comic rolls into the packed hall.

pinterest


Leave it to the ever-creative Inserto to conclude the concert, (and her Rabbit Hole), with a soulful arrangement of the classic, “I’ll Be There”, originally recorded by the Jackson Five. Her arrangement started with a softly meditative solo from pianist Jason Yeager, using his soft touch to illuminate glowing blues chords and meditative note combinations. Yeager left his last note hanging precipitously to be plucked in the air by trumpeter Jeff Claassen as he cast the chorus of “I’ll Be There” (with his deep Fluegelhorn tone) out into the swirling colors provided by his partners. Inserto’s creation ended on a chorus of clarinets in woody, upturned crescendo – soaring with youthful energy and promise.

*FURTHER LISTENING*
-Noah Preminger continues his association with the stellar audiophile label, Newvelle Records, (http://www.newvelle-records.com ).  See Newvelle’s website for all details regarding their upcoming 4th season of subscription LP releases, including this new one from Preminger. Note too that Newvelle Records and the reference audiophile cable company, Nordost (www.nordost.com) have collaborated by utilizing Nordost cabling in the recording studio to further improve the sound quality of these intimate recording sessions.

-Jason Palmer has just released his recording, Rhyme and Reason [on GiantStep Arts; a non profit organization dedicated to supporting musical projects of its artists – see more at http://www.giantsteparts.org . The recording is a double album of Palmer originals recorded live at the Jazz Gallery in NYC with the superb lineup of Mark Turner on tenor sax; Matt Brewer on bass and Kendrick Scott on drums.

Nordost Playlist – November 2018

Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.

Here are some of the songs that we will have on rotation this November.


You can now listen to our monthly playlist here:  TIDAL  |  SPOTIFY


  1. Rang Tang Ring Toon—Mountain Man—Magic Ship
  2. Try a Little Tenderness—Dee Dee Bridgewater—Memphis…Yes, I’m Ready
  3. Right Now—Dirty Projectors—Lamp Lit Prose
  4. A Pirate Looks At Forty—Jack Johnson, Dave Matthews, Tim Reynolds—Jack Johnson & Friends: Best of Kokua Festival, A Benefit For The Kokua Hawaii Foundation
  5. Trampled Underfoot—Vanessa Fernandez—When the Levee Breaks
  6. Yip Roc Heresy—Slim Gaillard And His Orchestra—Laughing In Rhythm: The Best Of The Verve Years
  7.  Love Is For Me—The Meters—Rejuvenation
  8. Alien (Hold On to Your Dreams)—Gil Scott-Heron—Nothing New
  9. Over Everything—Courtney Barnett and Kurt Vile—Lotta Sea Lice
  10. Freelance—Toro y Moi—Freelance

 

Dennis Davis Reviews Nordost Sponsored Jazz Quintet at RMAF

By Dennis Davis, The Audio Beat

Let’s face it—most people who attend hi-fi shows don’t make the trek there to attend live concerts.  Musical performances at shows are usually limited to solo performers who have recorded on niche audiophile labels where the biggest selling point is often the label and its recording process.  Performers who have contracts with Universal, Sony, Blue Note or ECM are not in the habit of performing for a bunch of tired audiophiles, who pay nothing at the door and show up for the concert if they feel like it.

In that context, when I learned that Nordost was presenting a concert of jazz musicians from the Newvelle record label, I was excited.  When I saw the list of performers, my jaw dropped.  On trumpet was Dave Douglas.  I’ve attended many Dave Douglas concerts over the last twenty plus years, dating back to his days with John Zorn, and own many CDs he’s recorded as a leader.  Elan Mehler, co-founder of Newvelle Records, played piano at this session and his style has become familiar to me over the label’s three seasons of uniformly great releases.  I knew little of New York based acoustic bass player Simón Willson, except for his contribution to Newvelle’s Piano Noir LP.  However, I got together with the band the evening before the concert, and couldn’t take my eyes off Simón, whose energy was infectious.  John Gunther, composer and multi-instrumentalist (saxophones, clarinet and flute) has recorded extensively as part of New York’s “downtown” jazz scene.  As associate professor at University of Colorado Boulder, and director of their jazz studies program, he was the group’s local performer for the concert, and had warmed up the ensemble the day before at a campus workshop. Singer Dominique Eade recorded twice with Ran Blake, and I loved her well-received 2017 CD, Town and Country.  In addition to a long career as an instructor at New England Conservatory, she has an extensive catalog of recordings.

For those new to this record label, Newvelle issues a new record every other month, sold as a yearly subscription.  Each LP is a work of art—the clear vinyl LP is packaged in a beautiful foldout cover, embellished with commissioned artwork and prose, and is supported by extensive information on the label’s website (www.newvelle-records.com). I’ve heard every record released over the last three years and Newvelle’s consistency of high quality is unequaled in today’s music industry.  Watch out Blue Note and ECM!

The concert was held at the Denver Tech Center Hilton Garden Inn, in a large high ceiling room where I had attended other events.  I recalled fairly poor sound at those non-musical events that had involved a PA system.  Fortunately, Nordost arranged for a professional sound engineer to set up the room and sound system.  He brought in a very high quality sound system and mixing board and the results were spectacular, turning a pig’s ear room into a very good sounding hall.  The stage itself was a little small for the group, and had an effect on my ability to capture good pictures, but the players adjusted well to the somewhat cramped space.

Nordost has installed its professional cabling at the New York recording studio where Newvelle Records records all its sessions, Eastside Sound.  Beginning with Newvelle’s fourth season, all recordings will be made through Nordost cables.  I’ve reviewed the first three seasons for various publications, and look forward to comparing the sound of the new studio recordings. In the meantime, Newvelle’s artists are getting the additional exposure from the Nordost involvement.

The concert featured never before heard compositions from Dave Douglas, as well as material from Newvelle’s LP “Piano Noir”, and material from its third season.  In Elan Mehler’s words, the band, “is dancing between some basic intersections of style and genre—jazz and folk music, poetry and improvisation, prose and composition.”  They opened with a composition from American folk music singer/songwriter Jean Ritchie, an Appalachian song “West Virginia Mine Disaster” recorded by Dominique Eade on her most recent CD Town And Country (Sunnyside).  Next up was “Bear It To Heart” from the “Piano Noir” LP, that featured Elan Mehler and Simón Willson from this group.  The group then launched into a Douglas composition taken from a Jack Kerouac haiku, “Arms folded to the Moon”. I confess that until the middle of the concert I hadn’t recognized vocalist Dominique Eade, but by this third song of the concert, it hit me.  Her resemblance to vocalist Jeanne Lee on The Newest Sound Around (RCA LPM-2500 with pianist Ran Blake) was immediately obvious. I slapped my head over my short memory.  I own two of her CDs and am a big fan. That third song mesmerized me.  The composition, Eade’s singing, and the bands’ excellent ensemble playing had me laying down my pad and pen for the rest of the concert.  True, my hands were engaged in taking photographs, but I was captivated.

This was a performance far above those typically found hi-fi shows.  I searched my memory for comparisons and the only hi-fi show concert I could recall was at a show in New York well over a decade ago, featuring saxophone great Joe Lovano. But merely comparing it to hi-fi show concerts is selling it short.  I attend concerts (most frequently in the San Francisco Bay area) on a regular basis and jazz concerts at least a few times monthly.  This concert was among my favorites of this year, and one I will not soon forget. It sent me home to listen to my Newvelle Records LPs and Dave Douglas and Dominique Eade CDs.  What more can you ask for from a great concert?

Nordost Playlist – October 2018

 


Nordost is lucky to have a wonderful team of representatives and product trainers who travel around the world educating and demonstrating the effects of Nordost’s products. As part of these demonstrations, it is our job to find an interesting and diverse selection of music to showcase our cables, power devices, sort system and accessories. Whether at shows, visiting our dealers and distributors or even in our own listening room in our headquarters in Holliston, we are constantly getting asked what music we are playing (or if our audience is not so bold to ask, we can see their Shazams working overtime). So we thought this would be a perfect opportunity to share our favorite songs of the moment. Some may be classics, some may be brand new, some may not even be to your taste, but one thing is for sure …it’s all great music.

Here are some of the songs that we will have on rotation this October.


You can now listen to our monthly playlist here:  TIDAL  |  SPOTIFY


  1. Don’t Miss It—James Blake—Don’t Miss It
  2. Say My Name—Maimouna Youssef—Vintage Babies
  3. King Of Spain—Tallest Man On Earth—The Wild Hunt
  4. Du gamla (That’s Alright Since My Soul Got A Seat Up In The Kingdom)—Håkan Hellström—Du gamla du fria
  5. Getting Over You—Willie Nelson, Bonnie Raitt—Across The Borderline
  6. You, Dear—Eloise—You, Dear
  7. Golden Earlings—Jan Lundgren Trio—Jan Lundgren Trio Plays the Music of Victor Young
  8. Mary Don’t You Weep-Piano & A Microphone 1983 Version—Prince—Piano & A Microphone 1983
  9. Only Love—Ben Howard—Every Kingdom
  10. Twice—Little Dragon—Little Dragon