Vinyl Is Back! Everything You Need To Know About LP Records

Still Spinning, Still Grinning… Vinyl Is Back!  

Everything You Need To Know About LP Records

by Anthony Chiarella

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I’d forgotten just how great LPs can sound. This point was driven home a couple of years ago when I added a new turntable to my reference system. At the time, I had a $65,000 digital front end, and I thought the sound it produced was about as good as High End could get…until I started spinning records. My analog rig—turntable, arm, cartridge and phono preamp—cost less than half as much, but outperformed my digital stack in almost every respect. Instrumental timbres were richer, with finer harmonic detail, imaging was more three dimensional, and the spaces between the images more palpable, with an airiness and cohesion that was just, well, more lifelike than even the best digital systems. I found this especially true with older, analog masters, but surprisingly, many modern digital transfers actually sounded better on vinyl! (In fairness, I should point out that there are many digital masters which outperform their analog counterparts.) Of course, sound quality alone doesn’t explain the renaissance of the LP record. The tactile pleasures of holding an album cover—an experience that was diminished with the “compact” disc and eliminated completely with streaming—provide a powerful sensory experience. The ability to see and savor album artwork, not to mention lyrics and other “extras” included with many LPs, is sorely missed with CDs and modern digital formats.

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The “chore” of removing an LP from its jacket, placing it on the platter, clamping it, cleaning it and carefully lowering the needle into the groove was supposedly one of the reasons why CDs became more popular than LPs; however, for many LP lovers, the ritual of preparing the record for playback actually enhances the experience. And then, there is the hardware. Does any other component in the stereo system equal the beauty or visual artistry of the turntable? Since the time of Edison, record players have been sources of pride and collectability, as well as the focal point of most HiFi systems. (There are several turntables in the Museum of Modern Art’s Permanent Design Collection.) Once you’ve decided to “take the plunge” and join the Analog Renaissance, there are a few vinyl-specific things you have to know. Whether you’re looking to spend a few hundred dollars or a hundred thousand, here’s everything you need to get started… Today’s top ‘tables are true works of art, designed for aesthetic appeal as well as performance. Brinkmann, Kronos, TechDas and many others offer superbly crafted analogue systems, engineered to last for several lifetimes. At lower price points, Rega, Project, EAT and VPI offer entry-level ‘tables whose sound quality approaches state-of-the-art, though without the visual beauty or obsessive craftsmanship, which defines cost-no-object products. Ortofon and Sumiko dominate the market for reasonably-priced phono cartridges, while Kiseki, Koetsu and Lyra continue to develop exquisite cartridges for music lovers who demand “the best” regardless of cost.

Being a high-performance software format, there are two more variables you’ll need to address if you want to extract the highest possible performance from your analog rig. First of all, pay attention to where you mount your turntable and the structure upon which you place it. Record players are vulnerable to “acoustic feedback” (which sounds like a loud, uncontrollable hum) if placed too close to speakers, especially those with prodigious bass; additionally, a turntable placed upon a wobbly floor or rickety stand will be prone to “groove skipping.” Of course, a rigid, high-mass—and expensive!—equipment rack is ideal, but budget and décor often render such purchases impractical. Here are a couple of hints… First, make sure you place the stand upon which your turntable rests near a load-bearing wall (usually one of the exterior walls of the house), as these are the most solid points in the room and the least prone to footfalls and other mechanical interference. A wall-mount shelf—available online for under $150—offers great isolation at a very affordable price. Next, if you’re using a piece of furniture, make sure it’s top surface is level and that it doesn’t wobble. (Small pieces of plastic can be used to “shim” the legs of your furniture to keep it stable and level.) Finally, in order to minimize acoustic feedback, try to position your equipment rack as far from your speakers as possible. We’re almost done!

You’ll also need a few accessories to make your ‘table sing and maintain those precious slabs of vinyl in pristine condition. If your turntable has a detachable phono cable, you may want to consider and upgrade. The signals that are sent through a phono cable are the most delicate in your hifi system, and you would be surprised at the nuances that a high quality cable can bring to sound fidelity. Companies such as Nordost offer a wide range of tonearm cables that run the gamut cost-wise. Another thing to consider is record cleaning machines. Record cleaning machines haven’t changed since vinyl’s “golden age” of the 1960s through ‘80s, when most libraries owned “wet-system” machines that would wash and vacuum their vast collections. The best of these are made by Okki Nokki and VPI, range in price from approximately $500-$1,000, and are recommended for music lovers with large record collections. (Even for small collections, the improvement in sound quality is amazing!) Need to spend less? Spin-Clean makes a dry-system vacuum machine which starts under $80, while AudioQuest and MoFi offer manual brushes starting at under $15! Assuming you’re setting up your own analog rig, a protractor and stylus gauge are essential…and cheap!  Add some stylus cleaning fluid and a package of record sleeves (to replace the old sleeves of used records) and you’re ready to discover the pleasures of LP Playback. Enjoy!

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Questions and Answers (May 2016)

Our product specialists receive questions on a daily basis about Nordost products, their application, and hifi in general.  We thought that we would take a minute to share some of our most recent and frequently asked questions here so that everyone can get the answers they are looking for!


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Q.  I see in reading your FAQ and other info “mechanically tuned” keeps getting mentioned but I never really saw where it is defined or explained.  Can you please explain?  Do you have a more detailed write up to explain?  Also explain why being mechanically tuned somehow negates making a shorter cable from a longer one?

A:  The phrase “mechanically tuned” means a few different things. In some cases when we talk about it in our literature, we are referring to our connectors. Some of the connectors we use are mechanically tuned to match the mass of the conductors we make. However, typically “mechanically tuned” refers to the actual length of the cables we make.  We mechanically tune the lengths of the Norse 2, Reference, and Supreme Reference cables we build.  When building a low capacitance cable, where conductors don’t touch each other, you can actually change the characteristics of the resonant peak by altering the conductor’s length…think guitar string. So if we build a 2m speaker cable we find a length (based on the mass and material used) that sounds better and cut it to that length.  All products that are mechanically tuned are technically a bit longer than we say. We use tuned lengths in most products up to 4m.  After 4m, the electrical properties override the mechanical ones so it isn’t necessary.  So if you have a 5m cable, it is exactly 5m. If you want that 5m cable cut down to make two 2.5m cables from it, it is impossible to do that and maintain Nordost’s mechanically tuned lengths, because the shorter cables that you want to make should be longer than the 2.5m lengths being asked for.


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Q:  Will my QB8 benefit from TC Sort Kones under it? Or are the Sort Kones only for electronics (amp, pre amp etc)

A:  The QB8 will absolutely benefit from having Sort Kones underneath it, because it drains the QBASE of the vibrations being generated from the electrical currents running through it. Even using the AC version will result in an audible improvement.


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Q: Is it better to use a QK1 or QV2 in an open wall socket?

A: Either the QK1 or QV2 can be used in an open wall socket.  However, I would advise you to consider the following: if you are using a power conditioner in your system, it is not ideal to plug a QK1 or QV2 into the wall socket.  They are more effective when plugged into the power conditioner itself or another socket further down the line.

QV2s make a more audible change because the frequencies that they impact are easier to hear. Also I feel like it is worth mentioning that QV2s work better in increments of two, whereas QK1s work in any quantity.  One QV2 works just fine, but the incremental improvement more than doubles when using two.

Spring Cleaning For Your Stereo System

By Anthony Chiarella

“In the Spring, a young man’s fancy lightly turns to thoughts of…Audio Gear!?!”

May Alfred, Lord Tennyson will forgive my blatant bastardization of his poetic masterpiece, but its true: as Winter turns to Spring, flowers begin to bloom, animals awaken from hibernation and guys start prepping their toys for the warm months. All across America, lawnmowers are gassed and lubed, boats are lowered into lakes and rivers, hot rods are tuned and detailed until they shine like mirrors; in other words, it’s time for Spring Cleaning and your Stereo System is the best place to start! Tweaking your system means being a “Do it yourselfer” and, like car guys, you should derive pleasure from maintaining, improving and hot-rodding your gear. There’s a special satisfaction that comes from Sweat Equity and this is particularly true in the case of system optimization.

Although many connoisseurs assume a Stereo System requires little or nothing in the way of maintenance, nothing could be further from the truth. Mechanical vibrations and electrical impulses loosen nuts and bolts, while dust, dirt and pollutants contaminate every connection in your system. Records, cartridges, laser pickups, etc are equally vulnerable. Since these changes occur gradually, you might not notice the degradation in performance on a day-to-day basis but trust us: once you’re given your system a serious “Spring Cleaning,” you’ll hear everything you’ve been missing. And remember: THIS IS FUN!!! Enjoy spending some “Quality Time” with your system….

Let’s start with the things that are most vulnerable to the ravages of time. First up, believe it or not, is your AC Wall Outlet. I’m still amazed at how many six-figure High End systems receive their power from an ancient AC socket that can barely grip the power plug! This is the single cheapest and most significant improvement you can accomplish. Since most of you aren’t electricians and we don’t want you to get injured, PLEASE MAKE SURE TO LOCATE THE PROPER CIRCUIT BREAKER AND TURN OFF THE POWER TO YOUR SYSTEM BEFORE YOU PROCEED!!! Once that’s done, and you’re sure there’s no power flowing to the socket, remove the wall plate, remove the AC Socket and replace it with a Hospital Grade AC Socket. (I suggest buying an inexpensive Polarity Tester to ensure you have your positive, negative and Earth connected properly.) Reinstall the wall plate and prepare to be amazed! (I just purchased a dozen Hubbell 15-amp Hospital Grade Outlets for $5.37 apiece online: absolutely THE BEST improvement, dollar-for-dollar, I’ve ever wrought in my system!)

Now that we’ve improved our power, it’s “Time to Tighten.” Your speakers, if they’re on spikes, are probably wobbly. Drop a Spirit Level (please check my “Audiophile Tool Kit” blog from last month) atop each speaker, level it, and then tighten the spikes so that the speaker is rigidly coupled to the floor, making sure that all four spikes are in contact with the floor and the speaker (or stand, for monitors) doesn’t rock to and fro. The improvements in bass punch and image specificity can be startling! As a corollary, you can check to see if the bolts that hold each driver to its baffle are properly tightened. BE CAREFUL! You’re just ensuring that there are no loose bolts. Over-tightening can be catastrophic!

While we’re at it, it can’t hurt to clean and dust everything. If you’ve got some chutzpah, disconnect all of your components, remove from your rack and clean each with a soft, damp cloth. Clean the shelves upon which your components sit, as well. Will it make a difference in sound? Maybe not, but since when was dust and dirt A Good Thing? Since your rack is now empty, consider repositioning it. Do you have sufficient access to cables? Have you considered moving your rack to a more convenient location and changing cable lengths? Have you considered adding some sort of “Footers” beneath each component? Now’s the time!

Let’s make sure your system is “On The Level.” Even if you leveled everything when you first installed your system, that might no longer be the case. Start by leveling your system rack, making sure it doesn’t wobble or rock on the floor. Next, place your turntable and/or CD Player on its support and make sure they’re level, as well. Turntables require special attention. Check that cartridge screws and clips are tight, break out your stylus force gauge and check that tracing force hasn’t drifted, use a strobe to confirm speed accuracy. (This is especially important with Belt Drive ‘tables, as belts will stretch with use.) Load up your rack and verify level: an unladen rack won’t necessarily remain level once a couple of hundred pounds of equipment have been added! If there are nuts to lock your rack’s spikes in place, gently tighten to save your work.

It’s time to check your connections. Over the course of a year, your speaker binding posts will have loosened and your contacts will have become contaminated. This is a good time to bring your cables back to a Nordost Dealer for a three day Vidar burn-in. Buy a can of Cramolin and carefully clean every cable plug and chassis socket to remove built-up contaminants. (Do NOT apply any cleaner or treatment to AC connections: the results can be disastrous!) Before you reconnect all your cables, give everything a good wipe-down with Nordost ECO 3X to eliminate both dust and static charge. Ensure that all cables are properly “Dressed” and that power and signal cables are separated to the extent possible. Verify all connections and power-up….

Chances are, you’re going to experience a host of changes, some of which might not seem positive. You’ll probably hear more prominent bass and perhaps a bit more “immediate” (read: “Forward”) sound. This is normal! It’s time to reposition your speakers. Try everything: closer together and no toe-in, farther apart with more toe-in, closer and farther from the back and side walls, asymmetrical placement, etc. Use your favorite music and perhaps a couple of setup discs (Nordost makes a great one!) to restore the balance to your system. Once you’ve found the “Magic Spot” for your speakers, re-level, ensure that the speakers/stands are free of play and wobble and tighten.

Finally, here’s the most important part of the process. Pour yourself a drink, spin (or stream) your favorite album, sit back and enjoy your handiwork. Happy Spring!

RELATED INFO

AN AUDIOPHILE’S TOOL KIT

SPEAKER SET-UP GUIDE


Cable Maintenance 101

By Jon Baker

Occasionally all systems go through the process of being disconnected. Systems go through several transformations during their lifetime: gear is swapped or upgraded, people move from one location to another forcing system upheaval, products fail and must be returned to an authorized repair facility, or sometimes we just need to do a little cleaning.  We all know that audio and video equipment are extremely effective at attracting air-born particles, and in order to keep your system in tip-top shape, one must go through the process of disconnecting an audio or video system component by component. Trust me, there’s nothing more frustrating than going through this tedious process, only to find out that a cable or component has decided not to work or even worse, break. Unfortunately, this can easily happen to cables if handled improperly.

To help mitigate this whole process, I have put together easy, step-by-step instructions on how to safely disconnect and clean your audio/video cabling. I know, you’re thinking, “This is easy, and a no-brainer, and why are you bothering me with this?” Well, you’d be surprised—even many of the professionals get this wrong! Following the basic cable disconnecting protocol detailed below will help to extend the life of your investment, achieve maximum performance and safeguard your system from potential damage. Moreover, taking the extra steps to clean the cable connections and the cable itself will produce immediate performance gains.

**Before you get started, power down all components in the system. If the component features a master switch (rocker or toggle), this switch should be turned to the off position. **

Disconnecting

Unplug your system beginning with the power cable(s) at the wall, followed by the power cords at the component. From this point, it doesn’t really matter in which sequence you unplug the system.  In order to remove your power cables correctly, keep one hand on either the wall or the component, and with a firm grip on the connector, disconnect with your other hand.

Now it’s time to tackle interconnects and speaker cables. This is where organization becomes important! All Nordost cables are directional, and each cable has an arrow showing the direction of the signal flow. We recommend removing the cables from your system piece by piece, marking both ends (ex. amp end or speaker end) of each cable with tape as you’re taking out the cables from your system. By doing this, you will insure that the system is re-connected exactly the way it was disconnected.

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When removing interconnects with RCA terminations, place fingers on the connector and slightly rotate clockwise as you’re pulling the connector out.  For XLR cables, simply depress the lock or latch with fingers on the connectors and pull straight out.

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For speaker cables with spade connectors, completely unscrew the binding post until contact is no longer made. Pull up or down from the connector depending on its orientation to remove the connector from the post. To remove banana connectors, carefully pull by gripping the connectors.

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Cleaning

While your system is completely powered down and disconnected (especially if it’s been a long time since the system has been stripped down to its basic components), take the extra step to clean your cables. For this, you will need the following items:

1) A can of electrical contact cleaner

2) Two Microfiber cleaning rags

3) Q-Tips

4)  A cloth dampened with distilled water

5) A bottle of Nordost ECO 3X solution.

Now it’s time to get down to cleaning. For speaker and power cables, simply apply a scant amount of the electrical contact cleaner (both Craig Pro Gold and Deoxit work extremely well) to one of the microfiber cloths and carefully clean each connector. This will remove any small particles of dirt, dust or oxidation on the surface of the connector. With your second, dry microfiber cloth, remove any of the cleanser remaining on the connector. Repeat the process for each end of your speaker cables and the male ends of your power cables. Because of the small space within the connectors of interconnects, they must be handled a little bit differently. Apply a few drops of the connector cleaning solution to a Q-Tip and carefully insert the Q-Tip in-between the center-pin for the RCA and the collar, or the three pins and the collar on XLR cables (try your best not to get any of the fibers from the Q-Tip caught on any of the pins or internal parts within the collar). Too much solution on the Q-Tip might result in excess fluid being squeezed from the Q-Tip and create a bit of a mess, so use the cleaning solution sparingly.

Even though Nordost uses premium quality insulation exclusively, from our White Lightning range all the way through to our flagship Odin 2 range, that doesn’t make it immune to static build-up. Over time and use, cables pick up static charge. This problem gets worse depending on the time of year; static charge is further amplified from disconnecting cables and placing them on the floor (especially carpeted floors). To dissipate this charge, take your dampened cloth and wipe down the cables (for speaker cables, make sure both sides have been cleaned). Spray the second microfiber cloth with Nordost ECO 3X and wipe down the outer jacket of the cable. This will help prevent future build-up of static charge on the cable. Do not use ECO 3X on the connectors as it can leave residue that can prohibit the cable’s ability to work effectively.

An Audiophile’s Tool Kit

By Anthony Chiarella

It never ceases to amaze: enter the sound room of any passionate music lover and you’ll find a rack full of costly HiFi gear—a wealth of cherished recordings lining the walls—but search for a few basic tools to tune things up and you’re met with blank stares. Or worse, you find a broken-handled screwdriver that looks as if it had been used to chisel stone.

Fact is, audiophiles happily spend princely sums on hardware and software yet bristle at the prospect of shelling out $100 for a few basic tools. And that’s a shame, because fine stereo (and Home Theater) systems require a little TLC to perform at their best, and that means you’ll need some basic tools and simple techniques for using them. For less than the cost of a single out-of-print LP, you can acquire everything you need to keep your High End rig running right! Here’s everything you need to know:

Screwdrivers: At a minimum, you’ll need three Philips drivers (#0, #1 and #2) and an assortment of flat-blade drivers. A couple of fine-blade Jeweler’s screwdrivers are essential for turntable setup and maintenance. German-made Wiha are the best we’ve found but Snap-On and Klein—made right here in the USA—are also excellent. These are the items you’ll use the most, so don’t cheap-out! (Tip: always use the largest blade that will properly fit the fastener’s head, as this will minimize the risk of damage.)

 

Allen (Hex) and Torx Drivers: Simply put, you can’t adjust a tone arm or remove the top cover from most electronic components without a set of Allen wrenches, though Torx drivers have become commonplace in the past few years. Compared to traditional screwdrivers, Allen and Torx allow greater tightening force with less chance of stripping the fastener. Fortunately, even the best of these are dirt-cheap. Look for “Bondhus” brand.  (Tip: with Allen drivers, choose models with one “Ball-end,” as these work better in tight spaces. You’ll need both Metric and English sizes.)

 

Machinist’s Level: For leveling your equipment rack, Turntable, CD Player and speakers. Actually, you don’t need one: you need two, placed at right angles atop whatever surface you want leveled. (Tip: a longer level will always provide a more accurate measurement that a shorter level of equal quality, so use the longest level that will work on a given surface.)

 

Needle-Nose Pliers: essential for cartridge installation and useful for any sort of fine wire work, not to mention fishing small screws out of tight spaces. You’re best off with two: 1” and 2-3” jaw. Best brands are Snap-on, Channellock and Diamond.

 

Adjustable “Crescent” Wrench: An open-end wrench with adjustable jaws. In this case, smaller is better. A 4” or 6” wrench should master just about any task. (Snap-On and Channellock are top brands here.)

 

Utility knife:  (Box-cutters) These are among the most useful and versatile items you can own. Need proof? How did you open your equipment boxes, anyway? (Tip: a dull blade is much more dangerous than a sharp one. Blades are cheap, so change them often!)

 

Tape Measure: HiFi setup is all about geometry…try that without a Tape Measure! (Tip: choose a tape at least 20’ long, with a locking feature, that is highly legible.)

 

High quality flashlight and Magnifying glass: Over 40? These are self-explanatory. An LED Flashlight with multiple brightness settings is worth a king’s ransom.  These will come in handy when looking behind your system, adjusting phono cartridge alignment, and in infinite other instances.  

 

Protractor and Stylus Force Gauge: For Analog Lovers Only! Brinkmann makes a gorgeous and easy-to use Protractor based upon the old Dennesen Soundtractor. As for Stylus Force Gauges, high precision digital units are available on ebay for $10.

 

Toolbox: Cheap insurance and guaranteed organization! (Tip: a plastic box with internal compartments offers the best protection and keeps everything at the ready.)

Parting shot: When it comes to tightening screws, bolts and other fasteners, audiophiles seem to think that “If a little is good, more is better!” Avoid the temptation and DON’T Overtighten!!!

Questions and Answers (December 2015)

Our product specialists receive questions on a daily basis about Nordost products, their application, and hifi in general.  We thought that we would take a minute to share some of our most recent and frequently asked questions here so that everyone can get the answers they are looking for!


Q: I saw a picture of the Nordost room at one of the trade shows that you were exhibiting at last year and noticed something on the bottom of the loudspeakers you were using. Are those similar to the Kones that you produce? Do they work under all loudspeakers?

A: The devices that you saw in our demonstration system attached to the bottom of the loudspeakers are our Sort Füt. The Sort Füt, like our Sort Kone, is a resonance control device and it is based on the same principles. The Sort Füt and Sort Kone address both internal and external vibrations. They allow the vibrations generated within audio components (and in the Sort Füt’s case, loudspeakers and audio racks) to be drained out through ceramic ball-bearings which act like mechanical diodes, without letting external vibrations in. What distinguishes the Sort Füt from the Sort Kone is that the Sort Füt is constructed with three ceramic balls to deal with the extra weight of, and vibration created by loudspeakers. The Sort Füt also includes a threaded rod to attach itself to the loudspeaker. While components simply rest on the point of the Sort Kone, it is important that loudspeakers and audio racks be attached to the Sort Füt for added stability. Nordost provides three standard thread sizes which accommodate a majority of loudspeakers and audio racks on the market. However, there is a complete list of additional threads which can be ordered if needed.  Sort Füt 1


Q: I have run out of room on my QB8 unit. I would like to purchase another one, but I want to know if there is a way that I can connect those two units?

A: Yes, we often “daisy chain” our QB8 units at trade shows so that we can take advantage of our QK1 and QV2 units. The best way to connect multiple QB8 units is to plug the first one into the wall, using the best possible power cord. Then you connect the second unit directly to the outlet labeled “Primary Earth”.

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Q: I am very pleased with the result of my new Nordost purchase, but I want to make sure that they stay in the best condition possible. What techniques should I use to maintain my Nordost cables?

A: You will be happy to know that the longer you have your cables, the better they will perform. If you follow our blog, you will already be familiar with the importance of cable burn in. Burning in your brand new cables on the Nordost Vidar machine will allow you to get the best results from your purchase. By using extremely wide bandwidth signal as well as a range of both ultra-low and high frequency sweeps, the Vidar stresses the conductors, neutralizes charges, improves the way that signals pass through metal and  ultrasonically conditions the surface of the conductors. It is these changes in both the conductor and insulation material that refine performance in audio cables. The same goes with periodical burn in maintenance. Even though you may use your cables every day, electrical equipment can experience current leakage, which gives a charge to your cables. By having your cables treated with the Vidar, you are conditioning them and allowing the charges to neutralize once again.

The second maintenance that I would recommend for your cables is using Anti-Static Treatment. Products like Nordost’s Eco 3X stop the slow build-up of static charge (which happens at an even faster rate in the winter months) that can negatively affect the performance of your audio equipment. Just use Eco 3X on your cable jacket and you will find a noticeable difference in the liveliness and clarity of your system’s performance.

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Q: I am considering a cable upgrade for my system, but I don’t want to commit to replacing everything at once. Which cables should I start with?

A: I would recommend starting your cable upgrade with the most important cable in your system, which would be the power cord that feeds your entire system (from your wall to your distribution block).

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The Well Grounded System (or How I Learned to Improve My Sound and Love the Earth)

The Well Grounded System

or

How I Learned to Improve My Sound and Love the Earth.

Significant sound system upgrades often cost thousands, if not tens of thousands, of dollars.  The upgrade I am about to describe costs a fraction of that and delivers a performance improvement that you never thought you could get from your existing components.

It was one of those rare things that happens when you don’t see it coming but floors you when it occurs.  It all started when Nordost introduced a new cable product: The QLINE Ground Wire.  The QLINE is designed to work with the company’s QBASE power strip and take maximum advantage of the focused star grounding feature of this power and ground distribution system by creating a secondary ground for your hifi system. But what real difference could adding a secondary ground make? If you are familiar with Nordost’s foundation theory, you will see that this product perfectly reinforces the importance of a system’s foundational elements and how crucial it is to get this right. This got me wondering just how well my system was grounded.

The QLINE utilizes Micro Mono-Filament technology, and a 10 AWG, silver-plated 99.9999% OFC stranded conductor, with FEP insulation.  It comes fitted as standard with a spade lug for the inside connection to the QB8 and a type of termination that fits into a standard ground rod connector fitting.

IMG_4933After a quick inspection, I found it would be easy to use an existing intrusion into the house from an incoming cable line that was right behind my Nordost QB8 power strip.  My house is a ranch on a slab foundation, so it was pretty simple to install a ground rod just behind my wall outside.

I went to my local big box hardware store and spent a total of only $15.00 on a copper clad, 8’ ground rod and connector.  After some precarious moments pounding it in from atop a ladder, I was ready.  I was able to use a 2 meter QLINE ground wire to connect my QBASE to the ground rod.

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Let’s back up just a moment first, and explore some of the long-held axioms of a properly grounded system:

“Connect a clean ground to your system and you’ll hear an obvious drop in the noise floor with blacker backgrounds, less grain and more vibrant instrumental and tonal colors.”

“A simple and cost-effective addition to any Hi-Fi installation which leads to a significant reduction in sonic pollution.”

Or maybe:

“The purpose of a good ground is to provide a safe path for the dissipation of static charges, EMI and RFI signals and interference.”

Knowing that all of these things are true did not prepare me for what I heard.  After warming up the system for a few hours, my wife and I were ready to do an A B comparison; both with and without the ground wire connected (I often evaluate new equipment with my wife Stephanie).  After listening to some selections for a time without the ground wire connected I then attached it to the QB8.

Some of our comments from my notes after hooking up the ground wire:

Steph – “Well, that sounds different”

Me – “Better bass”

Steph – “More like live music, less like HiFi”

Steph – “You can hear her singing more easily, understand words better”

Me – “No doubt about it.  Larger soundstage, more depth to the image”

Me – Definitely better stereo separation and dynamics, especially with micro-dynamics in the bass”

Never in my life as an audiophile have I experienced such a profound improvement in system performance – in ways that I did not expect – for so few dollars!

If installing a separate ground rod isn’t practical in your situation, a copper cold water pipe (if it’s copper all the way to the meter) makes an excellent ground as well.  Just make sure you bypass the meter if you are connecting it to the house side.

The use of a dedicated, clean, low impedance connection to ground fits perfectly with the Nordost multi-outlet power distribution units, the QB8 and QB4.  The external ground post tied into the focused star ground topology with the QLINE creates a solid earth connection and minimizes noise and general sonic pollution. It’s an easy solution to achieve solid ground, and it sounds fantastic!

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Questions and Answers (September 2015)

Our product specialists receive questions on a daily basis about Nordost products, their application, and hifi in general.  We thought that we would take a minute to share some of our most recent and frequently asked questions here so that everyone can get the answers they are looking for!


QandA2

Q: Is it okay to have multiple Nordost ranges in one line, or is it important to pick one range and stick with it throughout your system? For example, can I have Blue Heaven interconnects with Red Dawn Speaker Cable?

A: You can easily switch between several lines within one system.  Our products are designed to be linear and use the same basic cable philosophy, so that you can go up and down the ranges, and even the cable families. So of course you can have Blue Heaven Interconnects with Red Dawn Speaker Cables (which are both in the same Leif family), or even Frey 2 Speaker Cables (which are in the Norse 2 family) with no issues (although, we would recommend upgrading you interconnects before your speaker cables).


QandA3

Q: Is there a significant difference between your Heimdall 1 and Heimdall 2 XLR interconnects?

A: Yes, there is a huge difference between Heimdall series 1 and Heimdall series 2.   While both models are constructed with 4 conductors, the gauge on the conductors went from 26 to 24, giving Heimdall 2 more body and resolution. We also enhanced the performance of the Heimdall 2 by using Dual Mono-Filament, where Heimdall 1 used Micro Mono-Filament. Lastly, we implemented asymmetrical ground in Heimdall 2 with new connectors in order to lower the noise floor. This gives series 2 more body and resolution.


Q: Please tell me how the cables change the signal from the amplifier to the speakers in order to improve the sound quality.

A: The typical properties of a cable are resistance, inductance, and capacitance. A cable will never add anything to a system, but it can take away from the end result since it has a tendency to act like a filter.  Bad cables can take what your amplifier is sending to the speakers and distort it. Better cables send the signal faster and have less influence on the signal, resulting in better qualities.  They allow more of the unaltered signal to pass. Take impedance for example: the lower the impedance of a cable, the less frequency roll off it causes.


QandA4

Q: Do I need to connect the external ground to my QBASE?

A: No, it is not necessary to connect the external ground to have the QBASE work effectively in your system. However, if it is possible to run a ground wire, like Nordost’s QLINE, to an external ground rod, you will experience a noticeably lower noise floor as a result. You should consult a local electrician to ensure that the improvements you make on your sound system remain to code.


Upgrade your Apple TV media streamer

apple tv

At Nordost, we believe that one of the most important aspects of a hifi system is a solid foundation. Without essential elements such as proper grounding, vibration control, and a clean AC current, it is utterly impossible to reap all the benefits your components are capable of.  However, this principle is not unique to hifi. Regardless of application, all electronics must first receive a proper base in order to perform to their full potential.

A top-of-the-line home theater system is only as good as its weakest link—and that includes your media streamers. Streamers, such as Apple TV, show drastic improvements when they are fed by seamless power, free from electromagnetic interference and radio-frequency interference. In media streamers that have a removable power cord, an upgrade as simple as replacing the stock AC supply with a high quality one is truly transformative. Nordost’s entry level Purple Flare Figure 8 Power Cord is the perfect solution for your Apple TV. This 2 conductor, 16 AWG cable uses Nordost’s proprietary Micro Mono-Filament technology and revolutionary FEP extrusion to construct a high-speed, low-loss power cord that will allow your streamer to produce a picture worthy of your system. Picture 481

To take the performance quality another leap forward, complete the connection using Nordost’s Blue Heaven HDMI cable!

7 Easy, Affordable Speaker Upgrades

Just like most hifi enthusiasts, we are always looking for that unattainable, perfect sound. Once we think we have made that purchase that will finally result in “the ultimate system”… suddenly we find a hum, or a slightly muffled base, or an imaging problem. The list, unfortunately, is never ending. So what do you do? Make another upgrade? Try to prescribe the perfect remedy to aide whatever is ailing your system? But before you make that next purchase, have you really done everything to maximize what you already have? There are countless tweaks that you can do to your system that will take the equipment you own to the next level.

Here we will concentrate on just your speakers. Try these simple, affordable and basic tricks that will elevate the performance of your speakers, and in fact your entire system, so that you get your upgrade without actually purchasing new ones.

5 steps to speaker setup blog images-7

1) Speaker Placement

The importance of the placement, toe-in and leveling of your loudspeakers cannot be stressed enough. You can’t just plop your speakers in any arbitrary place in your listening room and expect great results. Finding the correct speaker placement is a precise and sometimes tedious task, but it has a HUGE pay-off. For a guide through this process please see our previous blog: Speaker Placement in 5 Easy Steps or our Speaker Placement download. Another helpful tool for perfect placement is a set-up CD. The Nordost System Set-Up & Tuning Disc contains tracks that will help with everything from speaker placement and sub-woofer integration, to performance checks and assessment, problem location and system conditioning.

 

2) Keep Them Tightscrew-02

Over hours, months, years of intense listening sessions, constant vibrations in the speaker cabinet, and even a climate that induces wood to dry out, will cause a screw or two to become loose. Make sure to check all of the connections, especially those that attach the driver units to the front baffle, and tighten any screws that need it. Just be careful not to overtighten as this could lead to a stripped thread.

 

3) Maintain Clean Connections

DEOXIT-GOLD-GX-GRP_h200Sometimes all you need is a little maintenance to ensure optimal performance. Take a few minutes once a month to clean the contacts on your loudspeaker terminals as well as the connectors on your speaker cables with a high quality contact cleaner. This simple step will not only improve the conductivity of the connection and reduce RMI and intermittent connections, but it also protects your contacts against oxidation and corrosion. We recommend the DeoxIT® Gold GxL Series 

 

4) Anti-Static TreatmentPicture 853

Anti-static treatment is a must. Used on both audio and AV gear, this spray helps to fight the deceptively dangerous, slow build-up of static charges. Static charge can do everything from flatten perspectives to inhibit the dynamics of a sound system. Simply spray a small amount of Eco 3X onto a cloth and wipe the area around speaker drivers. You will begin to reveal a more relaxed and natural soundstage. We especially recommend using Eco 3X in the winter months when static build up is more prevalent.

 

5)  Grill on or off?

grill-02-02-02There seems to be an ongoing debate about whether or not to keep grills on speakers. Some of you may have already decided to take the grill off your loudspeakers or may have ordered a grill to put on your speakers for purely aesthetic reasons. The fact of the matter is anytime you put a piece of material in front of a sound wave there will be an effect on the music produced—Grills do make a difference. The real question is if this difference is positive or negative. What was intended for your specific speakers? Were the loudspeakers voiced with the grill on, or was the grill added as an afterthought accessory? Call your speaker manufacturer or dealer to find out what is optimal for the loudspeakers you own and make the change accordingly .

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6) Reduce Surface Contact of Speaker Cables

As a cable company, we have some tricks of our own for this problem. The capacity of a speaker cable is negatively impacted by the electric static stored in floors. This is one of the reasons Why You Should Be Using Flat Speaker Cables. The ability of flat cables to stand up vertically minimizes the contact area between the surface and the cable itself. Alternatively, invest in cable raisers, which accomplish a similar effect to what Nordost speaker cables take care of by design alone.

 

7) Resonance Control

lg-sort füt-lock-kup_550_blogVibrations are a byproduct of any component that uses energy to power itself. Unfortunately these vibrations have adverse effects on audio systems, including confusion of imagery, timing errors and musical distortions. Loudspeakers are the biggest culprits of generating this harmful distortion. By introducing resonance control devices like the Sort Füt to your speakers, you are providing a direct ground path, allowing extraneous energy to escape from the cabinet. Once you have eliminated these harmful vibrations you will be able to hear a reduction in intermodulation distortion, an expanded soundstage and an increase in tonal and textural details from your loudspeakers. The great thing about the Sort Füt is that since there are a large variety of threaded rods available, this is an upgrade that can be transferred onto almost any speaker model if you finally do one day decide to purchase a new set.


Learn more in our Tiny Tweaks, Big Pay-Offs – Simple adjustments that make a difference” download!